Well, I never expected this movie to touch me so much but it did. The depth of emotional scenes in this movie are beyond words, only to be felt, experiencing the trauma one goes through each characters by putting oneself in their shoes.
You might find many couples in most part of India just like Mary (Shefali Shetty) and Garson Fernande (Jackie Shroff) where a woman struggles every minute of her life, fighting off herself in midst of relationship crisis & injustice bestowed upon her just to save & protect the family she love, for the sake of her children, their future & their happiness from being destroyed in minutes. One may find happiness to be a distant dream because of their sacrifices but not for them as they are strong enough to find the happiness in little things, things that would mean world to them, things they wished to hate and in happiness of their loved ones.
Yes, it is the same old story because even in case of men it is not entirely different as we see men turn drunkards / alcoholic resulting in domestic violence, extra marital affairs, sin, tearing down the family, hurting & losing the loved ones & destroying themselves in the end. We also see men seeking redemption, reconciliation in which some may fail and some may actually succeed.
The characters shown on the screen attributed with the above characteristics would seem clichéd; watched umpteen numbers of times that will disinterest your movie watching experience but the act of our Couple (Jackie & Shefali) and their performances in Brothers was nothing like seen before because each emotional scene was filled up with such depth of emotions that even considering to pretend to experiencing it alone would literally swirl you down into depression. Continue reading
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I am bit confused about Phantom
On one hand they have named all the real names of masterminds behind 26/11 attacks and the actors look just like them. It needs guts to name those who are still out at large with followings in their home country which could pose a serious threats to the director or anyone associated with the film anywhere and anytime.
On the Other hand the screenplay lacks which impacts good direction by Kabir. For example, the execution of the targets that takes places is shot brilliantly but it don’t impact on the viewers that such thing was really executed, it lacked conviction.
I think Kabir got carried away with the emotions related to 26/11 while shooting but failed to recreate that onscreen or in reel life. The impact or the thrill was missing whenever each target is executed or action took place. The whole Syrian mission (Though shot well with brilliant locales) hindered the flow of the movie that could have been taken out of the book without screwing the mission. Continue reading
Writer-Director S.S. Rajamouli’s epic fantasy Baahubali: The Beginning, the most expensive production in the history of Indian cinema, has been crushing box office records from the day of its release.
The $40 million period film beat previous record holder Happy New Year to score the biggest domestic opening day and opening weekend ever for a film in India, and the fourth biggest worldwide opening ever for an Indian movie.
The visual effects heavy story centers on two rival brothers who battle for supremacy over a rich medieval kingdom.
Kangana Ranaut’s terrific performance as Tanu and Kusum in the sequel of Tanu Weds Manu is being widely appreciated both with words and in terms of the box-office figures it is generating. The film could soon be the first film to cross the Rs 100 crore mark, reports Businessstandard.com. According to the report, trade experts are of the opinion that Tanu Weds Manu Returns should meet the Rs 100 crore target in its second week, considering its box-office run so far. If this happens then TWMR surpass Akshay Kumar-starrer Gabbar is Back and Baby in the race to the Rs 100-crore club. The film has already collected Rs 76.5 crore.
While the film is all set to enter the Rs 100 crore club, read on to know why women are calling up R Madhavan after watching the Tanu Weds Manu Returns
Vishal Bhardwaj, who is riding high on the success of Haider, which has won accolades in India and abroad, is now all set to make a romantic film with a historical backdrop. Titled Rangoon, the film is a ‘Casablanca style’ love triangle between Kangna Ranaut, Saif Ali Khan and Shahid Kapoor.
The filmmaker not only confirmed the title but further added that this will one of his most expensive films to date and will also be a musical. While Vishal has worked with Shahid Kapoor in Kaminey and Haider, he has worked with Saif Ali Khan in Omkara. However, the two hunks of Bollywood have never come together for a Bollywood film. On the other hand, Vishal Bhardwaj will be working with Kangna Ranaut for the first time.
Elaborating on the plot of Rangoon, Vishal mentioned that the film will focus on the era of Second World War. Further reminiscing about those days filled with bloodshed, the filmmaker added that there are many graves of Indian soldiers in Imphal and Manipur who had lost their lives during this period of World War. In Rangoon, he will portray the
Tanu Weds Manu Returns held up very strong on Tuesday with a small drop from Monday. The film only dropped a little in the metros while other cities were same as Monday and some even better. The first five day business of Tanu Weds Manu Returns is as follows.
Friday – 8,50,00,000
Saturday – 13,00,00,000
Monday – 8,50,00,000 Continue reading
It looks like the All India Bakc..d (AIB)’s troubles over the December 20 ‘Roast’ show featuring Karan Johar, Arjun Kapoor, Ranveer Singh are far from over.
The latest in the controversy is the film industry’s spokesperson filmmaker Ashok Pandit claiming that the AIB had no official clearance to stage the controversial stage show which has ripped open an entire moral discussion on the social network.
Pandit who has lately been appointed as a member of the newly-revamped censor board says that AIB had no clearance for the controversial show.
“All staged performances, plays or stand-up comedies in Mumbai have to get permission from the Maharashtra police. They also have to submit their request for permission to the cultural ministry. The AIB has done none of these. They got no bloody clearance to have the show,” states Pandit angrily. Continue reading