Raja Natwarlal had poor collections on day one as it collected around 5 crore nett on day one. Mumbai circuit was a bit better as Gujarat and Saurashtra fared better and by farRead more...
Gloriously vague, but not dismissable, Sandy’s views on JTHJsandy | November 15, 2012, 10:30 PM | 23 comments | 4 views
Saw the film today at Inox, was nearly 55-60 per cent full. The feeling I have is that the film is doing reasonably well, but clearly is no blockbuster success.
Personally I quite liked the film and I believe it will age well. I thought Shah Rukh was wonderful, very consistent and in character throughtout. This is one thing I have to hand him compared to the other Khans. As an actor I believe he has been the most effective and he tends to pitch his characters correctly, something which Aamir has not managed to do all the time.
The story too worked for me. I didnt find it puerile as some others did…perhaps my expectations were lower. I found the story perfectly plausible, but was let down severely by having a weak actress in the lead. Now the central love story required passionate lovers – no matter what the makers tried – making Kat gyrate, having her wear off shoulders, innumerable smooches, she cannot elicit the slightest bit of oomph. That’s the problem here. Zero sexuality and chemistry…and this is no fault of SRK. This weakens the premise a lot. When Kat makes a re entry, and the couple reunites it should have given the audience goosebumps (remember Amitabh-Rekha in Silsila, Rishi-Sri in Chandni, Ash-Salman in Hum Dil, or SRK-Kajol in DDLJ) . That doesn’t happen because Kat is incredibly dull as an actress. She looks beautiful of course but is very listless. This is felt most in scenes where Anushka and she share screen time. The former’s performance throbs with life, and though she’s getting repetitive and Im no fan of her overt smugness, Anushka knows how to act, how to say her dialogues..and pull off her role with elan.
I didnt mind the coincidences so much. It doesn’t outrage your sense of logic any more than the average 70s Bolllywood film does. I found Fanaa a bit more incredulous in fact. JTHJ stays engaging throughout and there is always the curiosity to know what will happen next. The most admirable aspect of the film is SRK’s character. Within the span of the film his role still remains a bit shadowy, but there is the right illusion of depth to his character. JTHJ actually has a story that could well have been a novel, because there seems to be a lot in the characters and situations that is left unsaid. For example the crucial parting scene and its strange circumstances. It might have seemed quite plausible if one read it in a book, as much of the happenings are in the characters’ minds! There is complexity befitting a book. As a film, there are limitations and not everything gets executed well. More explaination was needed about SRK leaving too. So the film kind of seems a bit ambigious.
Music was not as fantastic as was expected from Rahman, but that one recurring music piece is glorious.
I enjoyed it overall. all said and done it had a fresh story, and did not insult my intelligence by any means.