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NG | May 22, 2013

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Swear by him


“It was still hard, though, to imagine a Kashyap film as the stuff of huge kitschy hoardings, releasing with more than 800 prints and running more than five shows a day in some suburban multiplex. Gangs of Wasseypur 1 and 2 has changed that. They have made him a brand, one with more than a dozen films riding on him (see box). Anurag Kashyap is now the toast of international film fests, attending Cannes with three films and a 40-strong contingent, and due at Toronto, four films in tow. “He has got acceptability, visibility in a certain constituency that frequents the multiplexes,” says Shohini Ghosh, professor at the AJK Mass Communication Research Centre, Jamia Millia Islamia. “In that sense, he is a mainstream filmmaker now, but an interesting mainstream filmmaker.”

Remarkable about Anurag’s success is that he has no qualms about working with new people, taking risks with untested talent or backing projects of debutants. If Gangs… brought us face-to-face with lesser-known names like Nawazuddin, Huma Qureshi and Richa Chaddha, Bombay Velvet will have a script written by historian Gyan Prakash. “I like their energy,” says Anurag, “and I have believed in a conscious attempt at not playing safe.” No other filmmaker in Bollywood, not even his favourites Vishal Bhardwaj and Dibakar Banerjee, is taking such risks. Says Umesh Kulkarni, director of Vihir and Deool, “Good cinema has to be a movement like the New Wave, Dogma. And he has the courage to back and produce all kinds of films, not just his own.” Filmmaker and friend Sudhir Mishra affirms that: “He’s putting his weight behind all sorts of films.”

Anurag also gives the young creative freedom like no one else. He handed Wasseypur’s script to composer Sneha Khanwalkar and lyricist Varun Grover and asked them to create music of their choice for various points in the narrative. “I delegate a lot,” he says. In return, he expects total commitment and hard work. But unlike even his own mentor RGV, he doesn’t hog the limelight. “It’s about the whole team,” he says.”

http://www.outlookindia.com/article.aspx?281986

Comments

  1. Like or Dislike: Thumb up 0 Thumb down 0

    Anurag has become blah..boring..blah blah blah.
    Monotonous and to a point that he is now only overflowing the “cinema with a difference” pot. I would like to see a full blown comedy from him, and that for me would count as “different” cinema.

  2. Like or Dislike: Thumb up 0 Thumb down 0

    RJ: So according to you Steven Spielberg, Alfred Hitchcock, Martin Scorsese, James Cameron, Mani Ratnam, Satyajit Ray, K Asif, are boring filmmakers because they never made a full-blown comedy?

  3. Like or Dislike: Thumb up 0 Thumb down 0

    In fact GOW was full of some LOL moments. Hence cannot say Anurag cannot make people laugh. And you just have to see his new Cadbury ad. It is hilarious.

  4. Like or Dislike: Thumb up 0 Thumb down 0

    dhaanu: He can make people laugh better than most of our so called comedy directors. His streak of humour was evident even in Dev D and Gulal. But of course in GOW it reaches its peak.

  5. Like or Dislike: Thumb up 0 Thumb down 0

    Utkal, it’s always that when you have to make an argument, you can just pick up any random point and fit it to the topic to create your defense. I knew you wouldn’t get the essence of my comment.

    Nevertheless, I do not wish to argue much, but I would like to ask what would a Sazaa-e-kaala paani to a hungama to a virasat to a Hera pheri to a kaanjivaram mean to you??

  6. Like or Dislike: Thumb up 0 Thumb down 0

    RJ: what would a Sazaa-e-kaala paani to a hungama to a virasat to a Hera pheri to a kaanjivaram mean to you??

    Pretty good. But not really A grade. Nothing that i would keep in my personal collection.

    But Dev D and GOW, I would. 9 In fact DVD of Dev D I already have. And the day GOW 1 & 2 are out , I will pick them up.

    ( In fact doing widely different styled films like Hera Pheri and Kanjeevram is a sign of not-so-great. No truly great filmmaker operates in that kind of different modes: Not Hitchcock, not Chaplin, not Bimal Roy, not Gurudutt, not Bergman, not Satyajit Ray, not Adoor Gopalkrishnan, not Coppola, not Scorsese, not Ghatak, not K Asif, not Mehboob Khan.)

  7. Like or Dislike: Thumb up 0 Thumb down 0

    I would rather keep a DVD of Dev D and a DVD of Hungama.

    And if a director is versatile is that bad? Does that make him B grade? And how is gow1,2 A grade to you? Imdb ratings?? Or just your personal fancy?

  8. rockie_EK THA TIGER

    Like or Dislike: Thumb up 0 Thumb down 0

    Anurag Kashayp is OVER RATED …
    Most of his movies are a bigg BLAHH … and are righfully REJECTED by the paying public.

    Some PSEUDO’s get some orgasmic satisfaction watching it but thats all about it.

  9. Serenzy

    Like or Dislike: Thumb up 0 Thumb down 0

    I really had High Hopes frm the GOW Series but it has left me a tad bit Dissapointed!

    For all that talk, Kashyap as a Filmmaker/Director is Strictly Average(As a Writer, he is Brilliant).

    Heck, to supprt a Filmmaker like him, I Spend Money to watch both the Parts but was Seriously Underwhelmd by both the Parts(Espc. the 2nd).

    GOW1 – 3/5
    GOW2 – 2.5/5

    DevD[4.5/5] & Black Friday[5/5] will Remain his Best and Most Daring Work Ever!

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