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Anlayze This: The “Jealousy” in Heshke[Mackenna's Gold] to Rajjo[Mausam]!!


Rajjo sat in between Harry and Aayat in a line and followed Harry’s eyes that turned back to behold Aayat.Aayat smiled back.Rajjo looked back at Aayat and could see the happiness on her face.She looked back at Harry whose eyes were fixed for moments on Aayat. The circle was complete but she was out of the desired line of sight.The disappointment on face on her face was evident and the awkwardness soon set in and the last traces of expression was of a volcano being prepared deep inside her soul that had been bruised by that line of sight between Harry and Aayat.The “Green Eyed Monster” had gripped Rajjo and she was captured by the sense of loss that seemed all the more impending,thanks to that one evidence provided by the warmth in Harry and Aayat’s eyes!!

vlcsnap 2011 10 04 00h37m21s1441 Anlayze This: The Jealousy in Heshke[Mackennas Gold] to Rajjo[Mausam]!!

vlcsnap 2011 10 04 00h37m30s235 Anlayze This: The Jealousy in Heshke[Mackennas Gold] to Rajjo[Mausam]!!

Rajjo describes the greatest and most addictive emotion of jealousy in her entire portrayal. She is a very prominent spoke of the wheel of ” Mausam”. She acts as the perfect “outsider” to that developing “perfect” world of Harry and Aayat. She portrayed the “without” in the “within” of a world that she detested developing. Note the scene where later in the movie she agrees to help Aayat to find Harry and also allows Aayat to use her telephone and we feel that since Rajjo is married,she has long forgotten the jealousy that she once harboured…but the scene where she burns the letter from Aayat to Harry in the fire makes a very emphatic statement–The Romans and Women never forget.They might forgive but they never forget. One cannot miss the way her hands crush the paper and thus signify the “remembrance” of the loss that meant a life to her.Rajjo clinched her hands,the paper got crushed and then burnt in fire.I personally have not seen a much better description of jealousy in recent times or even in the past few years with such strong metaphorical grammar.

mackennas gold thumb%5B1%5D Anlayze This: The Jealousy in Heshke[Mackennas Gold] to Rajjo[Mausam]!!

12806 11755 Anlayze This: The Jealousy in Heshke[Mackennas Gold] to Rajjo[Mausam]!!

Cut Back your memories to “Mackenna’s Gold”..Julie Newmar as Hesh-Ke..the Red Indian who jumped into a pool of water nude,the buttocks on display and the streamlined motion of a beautifully chiseled body just below the surface of clear water to attract Gregory Peck’s attention. Sex is being used here as the most direct assault by a woman on a man to attract his attention and divert it from an ethereal beauty as Camilla Sparv. Heshke was the old flame of the Marshall[ Peck] who now was interested in Inga Bergmann[ Camilla] and Heshke could not bear the burden of that “interest”.She decided to get the “principal sum” back by killing the “interest”– Inga. She attempted the act two times failing each time. The role by Heshke had very few dialogues but the camera did just the right thing by capturing the changing tones of her face.She desired the Marshall badly and was ready to resort to tow most carnal desires–Sex and Murder!!

Now the last station in the circle of this jealousy. Rajjo handing over her son to the elder one on the train and walking towards the door of the compartment. For a blink and miss moment,her husband looks at her going and one can feel that he knows that Rajjo still feels for Harry….Rajjo holds a cup of tea to Harry and tries igniting the old “lust” in him.It is evident when she says— ” Tu Bol To Tere Saath Kood Jaun”,she makes a statement that she is ready to stake even her child for the sake of an unrequited love of the past and the zenith and the intensity of that desire where a woman can go to extremes to achieve her “lust” [metaphorical] is at vivid display.

They say the “Hell has no Wrath like a Woman Scorned”… Rajjo epitomises it…Heshke stands a testimony to it. A Woman denied of her will is the most dangerous thing in this mortal world..coz they can forgive it but never forget it!! The repercussions happen and how!!! And i am not even talking of a cent of the vast ocean that woman are!

Milind/Anupam!!

Comments

  1. Like or Dislike: Thumb up 0 Thumb down 0

    There is no greater glory than love, nor any greater punishment than jealousy

  2. aryan29

    Like or Dislike: Thumb up 0 Thumb down 0

    @milind/anupam again a great/excellent effort… and got ur msg tht There is no greater glory than love, nor any greater punishment than jealousy well said compltly agree with it :)

  3. Like or Dislike: Thumb up 0 Thumb down 0

    Hey thanks aaryan.Actually jealousy is a ‘pure’ emotion,so is ‘hatred’ . . these emotions never fail to annhilate the persona harbouring it.

  4. Like or Dislike: Thumb up 0 Thumb down 0

    Hats off to you Milind for catching the most brilliant scene in Mausam and explaining it so well. Mausam is not a good movie in its entirety but it has a few scenes that keep going around in my head even now after so many days of watching it.

    Haven’t seen Mackenna’s Gold so can’t comment on it but yes I also haven’t seen a better portrayal of jealousy in recent times. I only disagree about one thing – it wasn’t lust on Rajjo’s part but true love – unrequited and desperate.

    It takes a lot for a woman to go upto a man and declare that despite having a husband and child she would gladly jump from the train with him. And that too a man who had repeatedly rejected her. Even though Rajjo was the supposed ‘vamp’, my heart went out to her, in a way it never went out to Sonam all through the movie.

    PS. Kudos to you for noticing the look her husband gave her! That resigned acceptance on his part was another very good insight into human nature. If only Pankaj Kapur had shown the same understanding all through Mausam, it could have turned out to be a great film.

  5. Like or Dislike: Thumb up 0 Thumb down 0

    Thanks Shalu.

    Yes we people have the tendency to overlook the sporadic brilliance in a movie if it’s BO has been dismal.Mausam was excellent in patches and sometimes over an extended sequence too.

    1. The whole effort of Harry to have a look at Aayat crossing the fields through binoculars.

    2. The jealousy scene i described.

    3.Meeting of Harry and Aayat on the bridge in Scotland.

    4. The father describing the memories of Kashmir via pictures signifying that afterall now what is left is memories.

    5. The running of Harry to meet Aayat back at a previous station.

    6. The scene inside the boulders in the riots contrasted with a similar scene earlier.

    I have elucidated more on the points and the movie at:

    http://www.naachgaana.com/2011.....on-mausam/

    And the “lust” is used metaphorically to depict the “intensity” of a true love.

    Do read the review and tell me your thoughts. :D

  6. Like or Dislike: Thumb up 0 Thumb down 0

    Just read your review, it was more interesting than the movie. The scenes you mentioned are my favourites too.

    I also liked the scene between Harry and his sister in the hospital. A very good portrayal of sibling-bonding. One could feel the strong affection they have for each other. Loved the way she said fiercely, ‘If she loves you, she loves you. And if she is bothered, let her go to hell”

  7. Like or Dislike: Thumb up 0 Thumb down 0

    Yes Sahlu,

    Nice Observation.I missed this part.Exactly–this was a nice portrayal.

    But the IAF scenes,specially the attack scenes were not great–think they had to cut many parts..

    I also liked Manoj Pahwa–he brings the earthiness and rooted-ness to the narration.

  8. Like or Dislike: Thumb up 0 Thumb down 0

    Manoj Pahwa was wonderful. Now that you mention it, he did bring in a certain warmth to every scene he featured in. On the other hand Supriya Pathak, usually a good actress, made every scene featuring her a drag.

    Yeah, the IAF part was very badly done. Even before the war-scenes, the way Shahid is shown walking around checking the plane parts again and again was pretty stupid.

  9. Like or Dislike: Thumb up 0 Thumb down 0

    “Supriya Pathak, usually a good actress, made every scene featuring her a drag.”

    She looked lost somewhere.

    Kapoor goes highly melodramatic at places i felt.

    Also i really liked the first half an hour–the story in my opinion should never have moved outside India..Kapur was most comfortable in Punjab setting.

  10. Like or Dislike: Thumb up 0 Thumb down 0

    True! The story should not have moved out of India at all. There was actually not need for them to base the story in Scotland, the same story could have been told in an Indian setting too.

  11. Like or Dislike: Thumb up 0 Thumb down 0

    Yes–they coould have shifted it from Punjab to maybe Dehradoon or borders of Sikkim–if at all the purpose was to explore an alien and contrasting setting wrt Punjab.

    Moreover i would also have liked if Kapur had arranged for a far more emphatic BG score..something felt amiss–music very frequently helps cover the screenplay loopholes like pace etc.

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