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Multiplex Theaters in India has come a long way since its inspection in 1997. Patterned along the ‘shopping mall’ model of the multiplex as developed and prevalent in the West, and sustained by the retail boom unleashed by the economic liberalization policy of 1991, the Indian multiplex site sports all the features of an up-market turf. The multiplex’s steady proliferation in the metropolis’s and simultaneous penetration into some smaller cities and towns testifies to its increasing popularity, coinciding with the rise of disposable incomes in the hands of the urban Indian family. Multiplexes has given options to audience. Period! Art films, regional films, non-orthodox Bollywood films and low-budget movies who were on the verge of dying have been given new lease of life after the Multiplex boom. Not only the producers, distributors and exhibitors are comfortable with such movies due to low cost but it has also scattered the options to audience.

While the capacity at a single screen cinema is usually in the region of 850 to 1000 seats, or sometimes a little over that, a single screen in a multiplex seats a far smaller audience, because when a cinema is converted from one to multiple screens the seats get divided among them, though not equally. Anupam PVR, India’s first multiplex situated in Delhi, was converted to four screens, two with a capacity of over 300 seats and the others with 150 seats.

The revenues being generated by multiplexes is estimated to be a whopping INR 12,000 Cr. as at the end of calendar year 2009. As per study conducted by PWC the revenue is forecasted at INR 17,000 Cr. at the end of the year 2011.

The exhibitor of a multiplex have certain revenues and cost associated. The revenue for an exhibitor are:

  1. Ticket Sales.
  2. F & B (Food and Beverage) Sales.
  3. Advertising Revenue.
  4. Parking Charges.
  5. Management Fees.
  6. Convenience Fees.

The cost for an exhibitor includes:

  1. Distributors Share %
  2. F & B Cost.
  3. Entertainment Tax.
  4. Rent / Revenue Share.
  5. Overheads.
  6. Personal Costs.

What are the characteristics which drive the market of Multiplexes in India? The following are some of them:

  1. Favorable Demographics.
  2. Rising Income levels.
  3. Willingness of people to spent on recreation.
  4. Growth in film industry.
  5. Improving supply of infrastructure and retail industry.
  6. Tax Exemptions.

As in case of any business there are certain threats associated with Multiplex business in India. Some of them are:

  1. Alternative modes of entertainment.
  2. Uncertainty over entertainment tax.
  3. Piracy.
  4. Television.

The number of mulitplexes in India currently stand at 850 which is expected to reach 1,400 in 2013. – Source: FICCI-KPMG M & E industry report 2009, KPMG Analysis

Some additional statistics of Indian Film Industry business in India –

  • 1000 movies produced annually over the last 4 years (US $ 2.4 Billion in 2008)
  • Revenues dominated by Domestic Box Office at 75%, unlike Hollywood at 11%
  • Home Video Revenue currently at 8% expected to reach almost 20% by 2013
  • Overseas Revenues are rapidly growing at 21% due to increasing popularity of Indian Movies abroad
  • Digital Cinema enabling increased reach, helping curb piracy and increasing revenues for Producers
  • Corporatization and Industry status augmenting financing
  • Hollywood Studios partnering with Indian companies and movie makers

Though India produces the largest number of films in the year (annually more than 1,000), it accounts for only 1% of the global film industry revenues. Inspite of being 90 years old industry, the Indian Film Industry was accorded “Industry” status only in 2000. In addition the unorganized methods of financing made the investors pay high rate of interest. Only recently the industry have got access to organized finance. With vertical integration taking place between producers, distributors, exhibitors, broadcasters and music companies, Corporatization is taking shape in the Indian Film Industry.

At a time when single-screen theaters are dying due to lack of footfalls, people are queuing up at multiplexes which sells tickets at almost 5 times the prices prevailing in single-screen theaters at metropolis and tier 2 cities. This fact provides for ample testimony to the increasing prosperity as well as Indian consumer’s willingness to pay for superior-quality entertainment. Given the prevailing demand-supply dynamics, one can believe that the sector offers high visibility for steady cash flows.

With the boom and trend in multiplex in India one question which arise is whether single-screens are going to die? The perfect answer to this will be a big “NO”. The analysis shows that more than 70% of people prefer going to multiplex than a single-screen, but “The bigger the mod, the greater the thrill” is an old saying. In a country like India where people still feel and believe that a movie needs to have “PAISA VASOOL” value, it shows that the expenditure on a movie always been a question. Multiplexes offering tickets at around 150 bucks cannot call for large chunk of audience on account of high prices. On the other hand, if a common middle class family – comprising a husband, wife and two kids thinks of venturing out into a multiplex on a Saturday evening, the idea doesn’t seems to pleasing, if you count the cost!

Fact remains that still consumers are ready to spend more as the quality of viewing is much improved compared to a single-screen, the trend which is rising as time goes.

The new phenomenon which is gathering pace in and around cities and towns is Multiplexing of single-screens. So, don’t be surprised if you see a single-screen nearby getting converted into 2-3 screens multiplex. The trend which one can see will eventually make single-screens a rare species in India.

Note: The contents of the article are exclusively for Naachgaana.com. References have been derived from various sources.

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  1. rooney

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    nice ..interesting.. sachin

  2. Dishant

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    nice article sachin bhai

  3. RAJ

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    Nice article sachin…gives a lot of insight in to the multiplex industry….In other words this report says time for salmans and sanjay dutts of the world is fast nearing completion….

  4. Sachin

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    Thanks Rooney and Dishant.

    Raj bhai, thanks for the compliment.

  5. Sachin

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    It may also be noted that number of multiplexes in India in 2005 were 340, the same enterprise predicted number to increase to 850 by the end of 2009 which have more or less been accurate. Hence, the above enterprise’s prediction of 1,400 multiplex in 2013 can well prove a reality.

  6. Nishant

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    guyz check out the new look of lafangey parindey starring neil and deepika

    http://bollydrug.wordpress.com.....-parindey/

  7. suprabh

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    hey people….I am a new member here…and I m having difficulty finding out how to post a new topic/blog…one of the members replied to my comment in another post and said something about the option being there on the top right ith dashboard| quick jump|write a post…but on my screen I can see the other two except “write a post”..can the admins help me out here?

  8. Tango

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    Sachin- Super feature (wont call it a piece). Quite analytical and well researched. I like the way you have given a reference to to the Price Waterhouse Cooper forcast, which is a very respected source.

    Having seen how Priya Cinema became PVR personally, I can see the depth and authentic account of factual information.

    I’ll just add my miniscule bit, the coming up of a new multiplex (and all the associated ancillary units) in a new or hitherto sparsely populated areas has led to (i’ll say) new townships, not only in metros but even in mid sized towns.

  9. Sachin

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    Tangoji – Glad that you liked the article. Was trying to post one since couple of weeks but could not due to time constraint. Thanks for reading the complete article as you are not use to reading such articles.

    Price Water House Coopers is one of the most respected firm in the field of research. As you may have seen that I had given reference to study conducted by KPMG too for the number of multiplexes, which is another trusted source. Other two being Ernst & Young and Deloitte. These four firms provides for most accurate data with regard to research and analysis along with audit and assurance services. These four are regarded as top four in their field in the world.

    Certainly Tangoji, that is one of the most important aspect of multiplexes which is, new townships with every new multiplex. I have seen myself when one multiplex commenced in one of sub-urban area of Pune there were series of new construction projects being declared around the multiplex. One township was established and is now on the verge of completion. Not only it had positive affect on real estate but it led to creation of multiple small business opportunities in and around multiplex / malls.

  10. Sachin

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    Below is an analysis conducted by KPMG on the number of Multiplexes in India over a period of 9 years i.e., from 2005 to 2013 –

    Sorry, the image is not appearing complete. I will help to read you in this regard. The Projected numbers are 2011 – 1120, 2012 – 1254, 2013 – 1405.

  11. Milind

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    A great insight into the multiplex business! I believe dat by 2020 the revenue from multiplexes will constitute more than 80% of the revenue generated! The star who commands multiplex audience is going to be in the run for long time. Great informative post!

  12. Sachin

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    “The star who commands multiplex audience is going to be in the run for long time.” Very rightly said.

    Thanks Milind bhai.

  13. Like or Dislike: Thumb up 0 Thumb down 0

    Thanks Saching for this informative feature.
    Multiplexes have risen along with another important aspect of Cinema – regional cinema. Rise of both these type of film making experience are quite closely linked even though each cater to separate audience.
    We have a clearly divided cinema – cinema for haves and cinema for have nots. Multiplex is clearly for haves – rich and urban middle class folks. Sensibilities of this section of people are uniform across the world where value systems like health, education, patriotism, human spirit and a fun entertaining film is accepted.

    Contrast this to cinema of have nos – poor people, where regional cinemas catering to. All the single screens across India now hold regional cinema WITH PACKED HOUSES. Cultural(local) and religious values, fight of exploited against the system, raunchy but funny dialogs and usage of local language and village setup is accepted.

    This is somewhat similar to analogy of national political parties and local political parties.

    Gradually, regional cinemas, as in the case of Tamil, will start mixing value systems of both the worlds and that’s where huge value can be captured. In Hindi cinema very few films have been able to do that but again because Hindi is not a regional language, it cannot bridge the gap the way regional cinemas can.

    I beleive that prosperity of multiplex chain is closely linked with rise of regional cinema. Both have prospered in the age when cinemas are clearly being made separately for different breeds of ppl depending on their wallet size.

  14. ritz

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    “All the single screens across India now hold regional cinema WITH PACKED HOUSES.”

    Gorilla, I disagree with your above comment. It is not true for all regional cinemas in all states ….especially I know for Marathi – it thrives only on multiplexe crowd as of now. Gone are the days of superstar dada Kondake when Marathi films dominated single screens in small centers.
    Yes it is true for southern states – Telugu/Tamil/Malyalam – but not for most other states – where Multiplexes now rule – even for regional films.

  15. Ali

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    Sachin Dear,
    Brilliantly written and very very Informative article.
    I was somewhat busy during past few days, so now reading this article and I Must Say (Truly Saying by Heart) that i’m Immensely SATISFIED while Reading this Post.
    Well done.
    Keep writing Outstanding Posts like this.
    A must read article for Everyone.

  16. Sachin

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    Aliji, yap I dint saw your daily comments since almost a week now. Last 3 days especially you were not available on NG. Hope everything is fine. Happy, that you liked Aliji.

  17. Ali

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    Sachin Sahab,
    You also Mentioned a Very Very Important Point in your Article about Rapidly Increasing Revenue Share of OVERSEAS GROSS into the Total Business of Indian Film Industry.
    OVERSEAS Sector is Rising with the Support of New Markets/Countries, which are Now Opening there Doors for Bollywod Movies.
    P.S : This Revolution has been Started by MNIK, Which Successfully opened in 45 Countries in the first phase of its Release and then again Opened to Encouraging Response in 25 more Countries in the Second Phase of its Release.
    And in Total, MNIK became the First Indian Movie to Successfully Release in 70 Countries Across the World and it Opened a whole new Source of Revenue Earning from these Countries for Indian Movies.
    I’m sure that in coming times, Overseas Gross will Play a Major Role in Deciding the Final Verdict of any Movie.

  18. RAJ

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    Good points by Gorilla…I believe even in south Multiplexes will increase their share in the total revenue mix…although unlike for Hindi movies Single screens will still be relevent…I say this because the four southern states had been benefitted immesnly from the globaliastion and multiplexes thrive on that aspect…I believe multiplexes haven’t yet penetrated south the way it has penetrated Delhi,MH,GujratNpunjab and haryana….With southern states haviing a number of Tier 2 cities ,multiplexes are going to have a very good growth curve there…

  19. Sachin

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    Aliji, Overseas collections have been playing an important role for Bollywood movies recently. Generally today a bollywood flick has 20% of its total revenue coming from overseas. MNIK is a different case study altogether as its overseas collections were 120% of its domestic. But I do see overseas market playing a deciding role in coming times as the territories have widened from usual 5 usual territories in last decade which use to be USA, UK, UAE, Australia and New-Zealand. I will not be surprised if the ratio comes to 40% in couple of years as new territories are explored and the consistent rise in popularity of Hindi movies.

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