Why is it that Jane Austen’s Pride and Prejudice enjoys such a place of pride in the history of literary annals? The book has been re-imagined for the screen at least thrice, once as mini-series on BBC, which is still considered the most definitive adaptation of Austen’s classic. Yet, the fascination for it remains and this eighteenth century novel remains one of the most widely read texts in the world.
So what is it that attracts filmmakers to keep revisiting Pride And Prejudice, as director Joe Wright last did with his Keira-Knightley film in 2005. Is it because Austen’s heroine in the novel – with her pluck and wit – appeals as much to modern-day men and women as she did in her period? Now much has been made about Austen being a feminist and so on. Beyond the fact that the author liked and rewarded her heroines for being less superficial than the rest, it must be fairly stated that there was no real attempt on Austen’s part to drastically break away from the prevaling conventions and ideas of her time. She was very much part of the patriarchal set-up and didn’t really bother herself with the gender politics, though she was keen and discerning enough to understand that it existed. Her stories faintly hinted at injustice towards women, wherein they could not own property and so on, but she mostly adapted to the time she lived in. If anything, she laid some stress on her female characters negotiating their space and freedom in their given circumstances.
One of the reasons that keeps this classic so fresh is that to this day a great premium is laid on matrimony and a woman finding the perfect match for herself. Also, the Darcy- Elizabeth love-hate relationship remains one of the most romantic happenings in literature. There is something curiously exciting and even gratifying about a man of pride, position and previlege humbling himself before love and being so vulnerable to the emotion. This is precisely what readers across ages and generations have found so endearing about the debonair personality of Mr Darcy.
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