Comprehensive and insightful
3 Idiots : Who is the idiot then? The cinema screens all over the country become the most potent of weapons for the middle class to battle The Man. But the battle is not one that involves any amount of introspection, only sloganeering. IA sees a trend emerging.
The Hindi cinema screen slowly becomes the medium through which the Indian middle class extracts its revenge over what over suppresses it in the modern day world – it mocks the bourgeois, exposes the hypocrisy of the richer class, and ridicules the concept of a hierarchy. The villains are now overtly stern college professors, autocratic bosses, corrupt politicians or when the film is brave enough to admit its audience’s greatest villain – the government itself. Most of these films feature innocuous heroes drenched in the uneventfulness of their own lives, the conduct of their own private ambitions, and the fulfilment of personal causes; until an event or their realisation of the fallacies of a system they are unwillingly, but not unconditionally a part of; jolts them from their slumber and propels them on a path of retribution so soaked in acknowledgement of its audience’s wishful fantasies, that the films usually refuse to question the validity of a popular opinion, instead letting it become the text for their images, and in a way, merely playing it out on the screen.
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