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It is very rare that you meet a director who is as passionate and dedicated to their craft. Raja Menon is one of those exceptional filmmakers. Menon has gone from ad filmmaking to now the director of two films: Bas Yun Hi in 2003 and then more recently Barah Aana. The film released and has received many accolades, which include the likes of Aamir Khan, John Abraham, Imran Khan and Zoya Akhtar all of whom conclusively proclaim, “This is a must-watch!” The film filled with a unique storyline, set in the slums of Dharavi and packed with power-house performances from Naseeruddin Shah, Vijay Raaz and Arjun Mathur. When I found myself in conversation with Raja Menon, I couldn’t help but be in complete awe. Not only was he incredibly enlightening but somehow read my mind before I could ask the next question! If I had much to ask, he had even more to share! Check out this exclusive with Raja Menon as he talks Barah Aana, Naseeruddin Shah and metaphors of life.

From an ad filmmaker to Bas Yun Hi and now Barah Aana. How has the journey been so far?

It’s been an extremely long journey because I think for six years in between it completely changed the way I look at films and life even. The mistakes taught me helluva lot in terms what is important and what is not, hopefully I’ve incorporated that into Barah Aana.

But maybe Bas Yun Hi was ahead of its time? I’ve seen the film a couple of times and I always enjoy watching it.

Really! Thank you. Yeah, I think it came out at a time where we didn’t really have any multiplex culture at that time in India. So it wasn’t the kind of film that could be released in a big theatre in any case. But I think craft-wise it left a lot to be desired to be honest. It’s my film and I’m glad you liked it but there was a certain lack of experience as a director and I think that showed. I’m not complaining about but sometimes we jump into something without realizing the magnitude of what making a movie is all about. I think I depended on technique rather than the mindset of being bringing across the story across. But it’s part of making such a film. I think it’s those experiences that allow you to make the next one. However as a story, I do believe that if it was a few years later, it would have been more impactful.

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