You are the director of Kites. Why were you not walking the red carpet at Cannes with Hrithik Roshan, Rakesh Roshan and Barbara Mori?
Itâ€™s not that they didnâ€™t want to take me. Rather I decided not to go. There were some personal reasons for not going there.
Why donâ€™t you share the reasons with us?
I will walk the red carpet respectfully if and when my film is selected for competition. I really feel strongly about this. We Indians go and walk the red carpet and the media makes so much of brouhaha about which Bollywood is wearing what and all that but none of our films are inside. I think the last time was in 1994 when our film was shown in an auditorium in Cannes. I felt ashamed to walk there. Also, I wanted to make most of my Cannes visit by not only promoting Kites but by also meeting producers and financiers from different parts of the world. So, my priority was that… not to walk the red carpet. Continue reading
There’s something about Akshay Kumar these days that has made many industry insiders cringe. His arrogance, they say, has cost producers a lot of money. And now, we are told, it is Akshay’s turn.
2009 may not be as blissful a year for Akshay Kumar as the previous two years. Ironically, it was also supposed to be the year he had most meticulously planned.
If insiders are to be believed, Akshay had all intentions of staying in the limelight throughout the year. As a result he had hoped to have at one film releasing at regular intervals.
With Chandni Chowk to China being the first big release of the year hit the screens in January, 8×10 Tasveer released in April â€“ within about three months. It’s another matter that neither did well leaving Akshay Kumar somewhat in the lurch. Continue reading
– Kambakht Ishq
– 3 Idiots
– De dhana dhan
– Love Aaj Kal
– Main aur Mrs Khanna
– London Dreams
The gen-X hopes:
– New York
– Santoshi’s next with Ranbir (azab/gazab kahani or something)
– Its my life
– Wake up Sid
– Whats your rashee?
– Lucky Singh/Rocket Singh (or is it something else?)
– Delhi Belly Continue reading
Itâ€™s the first time in the world,â€ emphasised Anupam Kher, as he celebrated his silver innings in the Hindi film industry. Indeed, watching Saaransh, the taut Mahesh Bhatt film which turned a non-entity from Shimla into a much-feted celebrity, at a â€˜premiereâ€™ 25 years after its release was a strange first-time experience.
It turned the word â€˜premiereâ€™ on its head â€” a premiere show is supposed to be the first public screening of a film. Everything about a premiere glitters â€” the screening of Saaransh was just the opposite. At 4 â€™clock on a lazy Sunday afternoon, nothing can glitter. Even the print, exhausted with overuse, was faded and fatigued. It was a premiere where nostalgia overruled newness.
Anupam had gone to great pains to make it a memorable celebration. Apart from personal invitations, the staff at Metro was trained to welcome with a namaste, Barjatya-style. Few would remember that it was the traditional Tarachand Barjatyaâ€™s Rajshri banner that had backed Saaransh 25 years ago, a fact that Mahesh Bhatt appreciated at Anupamâ€™s â€˜premiere.â€™
â€œCan you imagine,â€ Bhatt held forth during interval, â€œthat Tarachandji, such a traditional man, backed such a film 25 years ago? Heâ€™d asked me, young man, are you trying to say that rishis and sadhus are all fakes? I said, yes, sir. But he still backed me. Saaransh went totally against the Rajshri genre.â€ Twenty five years ago, the Rajshri banner was only known for small, cute films like Amol Palekarâ€™s Chit Chor or Nadiya Ke Paar and an impressive name like Sooraj Barjatya was still to make his mark in Hindi cinema. A very young Sooraj was up there with dad Rajkumar Barjatya in old, nostalgia-filled photographs that were put up all over Metro. Continue reading
Directed by Jacques Rivette
Written by Jean Gruault and Rivette
With Anna Karina, Liselotte Pulver, Micheline Presle, Christianne Lenier, Jean Martin, and Francisco Rabal.
While itâ€™s certainly regrettable that itâ€™s taken Jacques Rivetteâ€™s controversial second feature 24 years to get distributed in this country in its complete and original form, thereâ€™s also something felicitous about its finally becoming available in an era when censorship of the arts is again on the warpath. Delays of various kinds have been central to the history of this potent if surprisingly chaste film, and there were comparable delays between the year Denis Diderot finished the novel that the film is based on (1760) and its actual appearance in print (1780-82 in serial form, and 1796â€“12 years after Diderotâ€™s deathâ€“in the first printed edition). Continue reading
After teaming up with Aamir Khan in the hit movie “Ghajini”, Tamil director director Murugadoss now wants to work with Shah Rukh Khan
and says he is working on a story right now.
“Yes, I’m working on a subject. I had a meeting with Shah Rukh Khan once and I discussed a story with him. But frankly nothing has been finalised. We are still to meet many a times before a decision is taken,” Murugadoss told reporters Monday at the launch of new Kannada film “Suryakanthi”.
Murugadoss’ “Ghajini”, a remake of a Tamil hit, grossed about Rs.250 crore. Continue reading
Here is the Actor wise Best Film Award at FilmFare ( in descending form).
I thought it would give a different prespective to star of last decade or two.
Ps: This list concludes nothing, just serves as a reference to stir some thoughts. Its just an effort(taking into account large amount of non-faith people have in these popular awards)
1. Aamir Khan ( 7 Movies)
Qayamat Se Qayamat Tak (1989) Continue reading
Mumbai, May 30: Heartthrob Hrithik Roshan has become the new face of Reliance Mobile. The actor will now be seen endorsing Reliance`s mobile and DTH business, and the promotional campaign for the same is presently being shot in Bangkok.
According to our source, Hrithik will be shooting for around 8 TVCs, all based on the theme `Just pick up the phone, don`t wait…go for it`.
Well, with Hrithik as the brand ambassador, the product is surely going to be a hit!