Kamal Hasan Dasavtar in hindi performed very badly at boxoffice. Tussle between multiplexes and producers had provided golden chance to those movies which were unable to see the light of release. But these movies were also not able to do any thing good on ticket window. Then again something is better than nothing.
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Tango 26 April 2009
03:26:02 am
Good estimations Rudresh.
Tango 26 April 2009
03:26:23 am
I’ll try and put up last weeks Film Info, though your estimations were quite on target.
rudresh 26 April 2009
04:04:15 am
Thanks Tango
Very dull period, even doing the estimation is no fun
Tango 26 April 2009
09:59:31 am
“Very dull period, even doing the estimation is no fun”
Very true Rud. In fact, I am thinking of telling people to discontinue BO for a few weeks.
sandy 28 April 2009
10:40:27 pm
Thanks Rud. The period has proved to be a golden one for Marathi films which otherwise never really get prime time slot in multiplexes. Do you know Mahesh Manjrekar’s film, Me Shivaji Raje Bhonsle Boltoi is officially the biggest hit of the year so far – the film is running to packed houses in Maharashtra.
Tasveer has to be an amazingly bad film to not derive any benefit out of this strike.
neelu 28 April 2009
10:48:11 pm
Tasveer is lucky to get a crore in week 3 beacuse of this standoff. The film is so unbelievably dull that doing math homework could be more interesting.
rudresh 28 April 2009
10:55:53 pm
“The film is so unbelievably dull that doing math homework could be more interesting.”
Neelu lol,for someone like me math homework had been the most interesting thing ever happened.
rudresh 28 April 2009
10:58:16 pm
Sandy,atleast where there is regional cinema people have something new to watch, but in place like delhi its nothing
BTW, when this is going to over,any idea
sandy 28 April 2009
11:23:52 pm
Rud: I believe talks are on and May 8th should be the day when the deadlock ends. That’s what a source tells me.
Rud: On regional cinema, what do they say about one man’s poison being another man’s food. Most Marathi films find very very few screens in the cities but end up doing excellent business in the interiors of the State. Unlike in the South, audiences in Pune, Mumbai, Nagpur, audiences vastly prefer Hindi films. This is also because towards the 90s, Marathi films started becomming a cheap imitation of Hindi films. So they’ve been forced to go the Kerala-Bengal cinema way, where they make more realistic and socially relevant films now. The whole trajectory is very interesting.