goodfella

Wes Anderson’s new movie looks like his typical fare which is getting a bit old. Here, his characteristic exoticisation of the other will doubtless rear its head tenfold, though, for the cinematography, Indian locations and Jason Schwartzman’s presence, (not a fan of the actor, but I am a Rushmore fan, and this is his second teamup with Anderson since that wonderful film) I’m willing to give it a shot. Oh, and that shot of Irfan is enough to bring me in…

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