IPL comes back to India after a one year hiatus…It will rock this year with weak teams some hgow trying to plug the holes and strong teams even strentgheing themselves…Some exciting new talents will be on display.Pollard ,bond ,morgan ,Kohli are the players who are expected to make their mark in IPL and in International cricket thereafter..

So guys lets post all the IPL news,cooments here in this threrad…

Total turnover last year was 1.95 billion USD…about 3/4th of the BO of just one Hollywood film – Avatar! That kind of puts things in perspective.

” India’s film industry revenues declined by nearly 14 per cent last year, hit by a damaging producers’ strike, swine flu fears and poor quality content, according to a study published on Tuesday.

The sector was worth 89.3 billion rupees (1.95 billion dollars) in 2009, down from 104.4 billion in the previous 12 months, consultancy KPMG said in a report for the Federation of Indian Chambers of Commerce and Industry.

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No ´Lahore´ In Pakistan!

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Nafisa Ali is back in movies after a long stint. She talks to TOI about her latest release Lahore and future projects.

What made you pick Lahore?
When Sanjay narrated the story I connected with it instantly as the film is about kickboxing and I am a national swimming champion myself. I accepted it because I believe when life gives you a golden opportunity, you must grab it. The script was thought provoking and strong.
 
Tell me about your character in the movie?
I play the role of a doting mother who has two sons. My sons are famous sportsmen and they mean the world to me. I share a great camaraderie with my sons and would be daughter-in-law but at the same time I am the grounding force that keeps them rooted. It’s a very challenging role and I am looking forward to the audience reactions. Lahore is one of the most authentic sports film ever made in India.
 
Any new projects after Lahore?
My future project is Guzarish which is directed by my favorite director Sanjay Leela Bhansali where I play Hrithik Roshan’s mother. It will probably be a Diwali release.
 
You will be seen on screen after a long sabbatical. Where have you been?
After Life in a Metro, Lahore is my comeback film. Cinema was never my profession but it’s my passion so I take time to choose a project. Lahore’s script convinced me to come back on-screen and recreate the magic. I have been really busy with my political career as I have been appointed the co-chairman of the hospitality committee for the Commonwealth Games.
 
Did you enjoy shooting for Lahore?
I had an amazing time. Lahore has so many wonderful actors like Saurabh Shukla, Farooque, Sabyasachi and Sushant; their timing was such that we instantly used to give the perfect take. Even as a debutante actor, Aanaahad is focused and sharing screen space with him was a pleasure.

Nav Varsh Samvat

March 16th, 2010

The Hindu New Year is observed in major states in North India and it is also known as Chaitra Shukladi

(Other states to celebrate it but dates slightly vary but not by much)

Tees Maar Khan starring Akshay Kumar and Katrina Kaif has been acquired by UTV for 55 crore. The deal includes the Worldwide theatrical rights, satellite rights and Home Video rights. Music rights were not included in the deal.

The film has been grabbed at a very fair price and unlike the last few years where many films had to do Super Hit or even Blockbuster theatrical business just to recover costs for distributors this one may well earn for UTV even if it does not do Hit theatrical business in India. This is very rare for major films as they are normally acquired at premium prices which leave little chance for big profits.

Tees Maar Khan is scheduled for a Christmas 2010 release which will be another huge advantage for the film.

BOI

1. Ratan Tata. 2. Mukesh ambani. 3. Anil Ambani. 4. Amnir Khan 5.Sachin Tendulkar 6. Sharukh Khan

Amitabh Bachchan, Rajnikant and AR rahman feature in TOP %). Great going Amir. Official recognition as India’s No I film star.

Amitabh Bachchan

aamir34 A candle in my heart

aamir bday take15 A candle in my heart

Magical Hong Kong To Honour Amitabh At Its 34th International Film Festival

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rann My thoughts on RANN (Hindi, 2010)

I was hyped for RANN ever since the films original movie promo’s came out. Ram Gopal Varma reuniting with Amitabh Bachchan after the brilliant SARKAR RAJ. I’ll be clear from the outset, RANN isn’t quite the masterpiece I was expecting, however in saying that this is still a must-see for a number of reasons. Firstly, it’s quite easily Varma’s most consistent film in a long time, secondly for the sparkling performances. The film is scattered with some remarkable performances which leave a lasting impression, and lastly, because the film comes across as genuine and authentic.

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Many Many happy Returns of the day Aamir..

atithi tum kab jaoge 2656 Quick note on ATITHI TUM KAB JAOGE (Hindi, 2010)

I enjoyed Aswhin Dhir’s ONE TWO THREE, granted the story was weak, but the humour was superb in parts, and Paresh, Tusshar and Suniel gave some funny performances.

With a bigger script, better budget and bigger cast, Ashwin Dhir gets all the ingredients right with his second film and delivers a winner. The initial misconception that the film is a “remake” of LICENCE TO WED, yes there were similarities in the promotional campaign and promo’s, however ATHITHI does manage to create it’s own identity and goes beyond a remake.

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Starting with a fondness for Talat Mahmood’s voice, Khayyam slowly switched over to Mohammed Rafi for giving voice his compositions. Rafi embellished many of his tunes “Jeet hee lenge bazi hum tum”, “Jaane kiya dhoondtee rehte hain yeh aankhein mujh mein”. That Khayyam was a perfectionist is evident in his music. In his songs, music and instruments meshed perfectly. However, the best tracks that Khayyam composed are the sad one. For composing the music of Kabhi-Kabhie, Yash Chopra wanted to sign saleable Laxmikant-Pyarelal but Sahir refused to work with the duo as he felt they could not grasp the essence of his poetry. Khayyam was assigned the task. The popularity of “Main pal do pal ka shaiyar hoon” and “Kabhi kabhi mere dil mein khayal aata hai” brought for Khayyam a belated stardom.

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Ranbir : I´m With Shah Rukh Khan; Bullying of Artistes Has To Stop

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Asin Thottumkal : In Bollywood Creativity Is Not The Name Of The Game!

“In Bollywood we all are commodities, who can be replaced by another at a moment’s notice. And therefore there is the need for constant compromise. If a formula works it is flogged to death, let ideas be damned,” said the actress.

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In the days of V. Shantaram, it was an accepted premise to make a film with a strong moral. Those were the years when discipline was a good word, associated with leaders of people, and not with prudes and losers.

So it was possible for a film to preach while it entertained, and the box office clocked a hit. From that point of view, and not merely from that of the vintage cars and the stylised acting reminiscent of pre-talkie days, this film is certainly a period piece.

Also, although it takes up a debate India is still struggling with — the tussle between classical and populist art — it can no longer be depicted the way celebrated dancer-choreographer Gopi Krishna (who also acted as Girdhar) did it. Shantaram made the film when India had been independent only eight years. The explosion of pride in its cultural heritage was still on among the educated elite, but the pulls and pressures of making money were also getting mightier. It was not easy for dancers to make a living.

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Starring: Sunny Deol, Irrfan Khan, Konkona Sen Sharma, Isha Koppikar, Deepal Shaw
Director: Neeraj Phatak
Stars: **1/2

wright ya wrong Gets it more right than wrong...Sandys review of Right Yaaa Wrong

There is nothing particularly odd when underserving films get hyped to no end and ultimately turn out to be unmitigated disasters. But more unfortunate is when decent fares go unnoticed because they are either poorly publicised or no effort goes into making their promos exciting. It happened with Rocket Singh last year, where an endearing film suffered on account of poor promotions. Right Yaaa Wrong is no great film, but it’s quite watchable – thanks to a taut script and the presence of Irrfan Khan, who turns in a wonderful performance again. However, bad promos and a curious combination of actors ( Irrfan and Konkona starring alongside Sunny Deol and Isha Koppikar!), may not give it the kick-start it could have otherwise got.

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I was looking at this amazing statistics. He did his last film as a romantic hero in 1999 ( Suryavansham). Then in 2000 he did Mohabbatein. Since then , in the last ten years he has done 47 films!! That is in proper roles..not as narrator or very brief appearances like in Agni aur Varsha. Out of this some 17 are hits of various dgree. Astounding. And before that between 1069 when he stared in sat Hindustani and 1999 he did more than 100 films. AStounding feat, never to be matched by anyone in the future. For all this quantity, how does he stack up on quality front?

Doing a quick scan, here are the notable films, in my opinion ( chronologically):

1. Anand (1971)
2. Saudagar(1973)
3.Zanjer( 1973)
4.Abhiman (1973)
5. Namak Haram (1973)
6. Roti Kapda Aur Makaan (1974)
7. Majboor (74)
8. Deewar (75)
9. Chupke Chupke (75)
10. Sholay ( 75)
11. Amar Akbar Anthony (77)
12. Don ( 78)
13. Trishul (78)
14. Muqadar Ka Sikandra (78)
15. Naseb (810
16. Silisila(81)
17. Namak Halal (82)
18. Shakti (82)
19. Sharabi (84)
20. Aakhri Raasta (86)
21. Main Azad Hoon (89)
22. Agneepath (90)

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The film and the controversy surrounding it provides an interesting parallel with the controversy surrounding some of Husain’s paintings. The parallel is interesting because like Husain who has painted thousands of paintings and the controversy is about a dozen at most, in case of Scorsese it is just one film out of twenty. Both Husain and Scorsese have created what they have done out of their love for their subject, not as a form of criticism ( unlike the danish cartoonist or Taslima Nasreen, though I support their freedom of expression to.). Both have managed to offend the fundamental elements and both have found abundant support among the more balanced viewers. I strongly recommend anyone interested in religion and theology should see the film. Below is the review of the film by Roger Ebert:

Christianity teaches that Jesus was both God and man. That he could be both at once is the central mystery of the Christian faith, and the subject of “The Last Temptation of Christ.” To be fully man, Jesus would have had to possess all of the weakness of man, to be prey to all of the temptations–for as man, he would have possessed God’s most troublesome gift, free will. As the son of God, he would of course have inspired the most desperate wiles of Satan, and this is a film about how he experienced temptation and conquered it.

That, in itself, makes “The Last Temptation of Christ” sound like a serious and devout film, which it is. The astonishing controversy that has raged around this film is primarily the work of fundamentalists who have their own view of Christ and are offended by a film that they feel questions his divinity. But in the father’s house are many mansions, and there is more than one way to consider the story of Christ–why else are there four Gospels? Among those who do not already have rigid views on the subject, this film is likely to inspire more serious thought on the nature of Jesus than any other ever made.

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(I have never posted any original writeup here and was planning to post under Right or Wrong review section. However, I’m taking this liberty. Stones and flowers are most welcome (Yes! I am a Dharam Paaji’s Phool Aur Patthar fan:)))
BTW and yes Tango Paaji our choices matching a lot :)

Whatver guys, Just watched it in a digi-theater placed in rural area (equipped with dolby supported by UFO Cinema etc.) for Rs.30 per person. I am not sure about the people who had paid Rs.500+ for Salaam Namaste kind of trash but the movie wasn’t bad at all. I am saying this because I loved the way Sunny is coming back. I had not liked a single movie of his after Damini (yes including Jeet and Gadar) because the expectations will only rise after such a performance. Unfortunately the actor chose Guddu Dhanoa and Anil Sharma kind of guys instead.

IMO even if Imraan stole the show but finally Sunny is back and exactly that is what I am rejoicing for. Sanotshi Sir are you listening???

Hollywood calling for Shah Rukh Khan; to do a film with Leonardo Di Caprio

By Joginder Tuteja, March 12, 2010 – 11:43 IST

Informs our source, “Not many know but when Shah Rukh visited Berlin for the premiere of My Name Is Khan, his agenda also included a groundbreaking movie deal. He was power-dining with Hollywood bigwigs like director Martin Scorsese and screenplay writer Paul Schrader over the project which is touted to star Bollywood’s reigning superstar with Hollywood heartthrob Leonardo Di Caprio. Karan Johar, David Weisman and screenplay writer Mushtaq Shiekh were present at the meeting.”

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