YRF, multiplexes settle for all films; Tashan screens 3 May (detailed piece)

BoC
MUMBAI: Exactly one week post the release of Yash Raj Films’ Tashan, the production house has finally resolved the revenue sharing terms issue with multiplexes.
The negotiations between the two parties had fallen apart last week. The point in discussion was revenue share terms between Yash Raj and multiplexes for screening movies from Yash Raj’s slate […]

jayshah | May 2nd, 2008 | Continued

Yash Raj - Multiplexes issue sorted out

IndiaFm
An understanding has been reached between Yash Raj Films and the multiplexes for the entire YRF slate of films for the year 2008. This agreement commences with Vijay Krishna Acharya’s TASHAN, which will be released in multiplexes nationwide starting Saturday, May 3.
This will be followed by Kunal Kohli’s THODA PYAR THODA MAGIC on June […]

jayshah | May 2nd, 2008 | Continued

Multiplexes snap ties with Yash Raj

DNAINDIA
MUMBAI: The bubble was just waiting to burst. Multiplex owners and Yash Raj Films (the production company of filmmaker, Yash Chopra and his son, Aditya) have decided to go through the divorce they have been contemplating for so long. The acrimony could extend to the next five films of the banner.
Multiplexes have decided […]

jayshah | April 29th, 2008 | Continued

Trade Espresso: The ‘pharmoola’, the hype, the ‘pheeelop’

Hindustantimes
Every element seemed to be in place. Intense publicity, top league stars, no big release in competition, and the summer season which attracts the youth audience to the cinema halls by droves. Nothing helped.
Dull wave
Tashan laid a big egg at the box office. Vijay Krishna Acharya (co-writer of Dhoom and Dhoom II) was directing […]

jayshah | April 28th, 2008 | Continued

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Bachchan — Day 23

(thanks to theskeptic, weirdly this did not show up at all earlier, I could see day 22 and so forth and then day 23 (i) but not this. On another note I see that recent IBOS piece has been referenced here)

Day 23

Nasik, May 9, 2008 12:19 pm

Akshay Kumar in Imtiaz Ali’s next

Akshay Kumar in Imtiaz Ali’s next

Vipul Shah and Akshay Kumar share a great chemistry. After the success of films like Aankhen, Waqt and Namastey London it is only obvious that the duo will do more films together. Their forthcoming comic flick Singh Is King is being directed by Anees Bazmee. Apart from that Vipul is planning his next again with Akshay.

It is believed that after Singh is King , Vipul will be producing two more films. The first film London Dreams will be directed by himself and for the other film he has signed Imtiaz Ali as the director.

Though script and other important details are yet to be finalized, the director and actor have already been finalized. Jab We Met fame Imtiaz Ali has been signed to direct his next movie that will star Akshay Kumar as the main lead.

Bachchan — Day 23 (i) (Blog Upgraded)

(there is no day 23, click on the link for the blog and check out the Agneepath lines!)

Day 23 (i)

Posted on: May 9, 2008 - 2:12 pm

Apologies ! It is the Supreme Court in the Ramadoss story. I stand corrected.

And … I finally have been given the know how on Hindi Devnagri and how it can be initiated on Mac. So after a few lessons on its use I shall be there with you in that script - ना !

Glamsham Bhoothnath Movie Review


Bhoothnath Movie Review

May 9, 2008 6:41:46 PM IST
By Martin D’Souza, Bollywood Trade News Network Send to Friend

view BHOOTHNATH videos

view BHOOTHNATH videos
In Nath Villa, situated in Goa, there lives the spirit of the owner who frightens away anyone who comes to live there. However, the ghost meets his match in a kid who befriends him and even makes him doubt whether he really is a bhoot!

Amitabh Bachchan enjoys ‘Bhootnath’ with audience

NASHIK: Bollywood superstar Amitabh Bachchan made a surprise appearance at a theatre here where his just released film ‘Bhoothnath’ was being screened.

Bachchan, who was in the city for last three days in connection with the shooting of a film, visited the Cinemax theatre on the crowded College road locality on Thursday night to enjoy the movie with audience.

The audience cheered Big B while a large number of spectators also gathered outside the theatre to steal a glimpse of the megastar.

Security was maintained around the cinema hall till Bachchan left the venue.

‘Getting a doctorate is much better than getting an Oscar’ - An exclusive Rediff interview with Dr Akshay Kumar…Do not Miss it

Link

Akshay Kumar was a very surprised man when he came to know of his honourary doctorate.

The 40-year old actor landed in Toronto, Canada, on Wednesday to receive to his honourary doctorate degree from ‘Assumption University’, which is scheduled to be held on Friday at a special ceremony in Windsor on the US-Canada border.

While staying with businessman Ajay Virmani, President of Cargojet, who nominated Akshay for the degree, Ajit Jain caught up with the very jetlagged star (Akshay flew directly from Bangkok where he is currently shooting his latest film Singh is Kinng) for this exclusive 75-minute interview.

Bhoothnath Movie Review by India Glitz

Another Good One.

Bhoothnath Movie Review
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Bhoothnath - A complete family treat!
SAVIO ZACAHRIA, IndiaGlitz [Friday, May 09, 2008]

Much has been said about Bhoothnath right from the pairing of Amitabh and Shahrukh after a long time and the potential that the debutant director Vivek Sharma carries.

After films such as ‘Bhagbhan’ , ‘Babul’ , comes yet another film from the reputed B.R. Films but this time around unlike their previous ventures you neither get to see a typical family drama nor the presence of Ravi Chopra spearheading the direction of the film. This time the offering is absolutely new and fresh with debutant Vivek Sharma exploring the relationship between a young boy and a spirit in a very innovative, humorous manner.

The story revolves around a 7 year old naughty boy –Banku(Aman Siddiqui) whose family(Shahrukh Khan and Juhi Chawla) comes to live in a mansion in Goa. The mansion-Nath Villa is considered haunted after the demise of Kailash Nath (Amitabh Bachchan) and his wife.

Bhoothnath Indicine Review

Indicine Review of Bhootnath.

Bhootnath Review

TASHAN yields as much as FANAA?

Link

The director of the much maligned multi-starrer TASHAN, Vijay Krishna Acharya, is all set to direct another venture for the Yash Raj banner. He disclosed this in an interview, earlier this week, to a respected scribe. But that was always on the cards, keeping in view the record of the failed directors at the premier production house. Be it Sanjay Gadhvi (MERE YAAR KI SHAADI HAI) or Kunal Kohli (MUJHSE DOSTI KAROGE), the Chopras have always given a chance to their failed directors to redeem themselves.

A statement in the above mentioned interview, where Vijay Krishna Acharya (Victor) claimed that TASHAN (without multiplexes) yielded as much as FANAA in its opening week is creating a lot of controversy.

Well, here is the explanation of what the TASHAN director meant. The Aamir-Kajol starrer FANAA (without Gujarat) netted an impressive 21-22 crores in its opening week from India. On the other hand, TASHAN netted a below par 18.5 crores. However, due to it�s predominantly single screen release (where the distributor�s share are higher), its first week distributor’s share was 11 crores (from India), almost the same as that of the multiplex heavy FANAA!

Why SRK and workaholic are synonyms!

Link

If the dictionary and the lexicons cannot give the exact definition and description of a workaholic, a better idea would be to take a look at Shah Rukh Khan’s recent schedule.

In less than a week, King Khan cheers his IPL team, the Kolkata Knight Riders’ on two different venues in India and before one can say ‘wow’ he is off to shoot for his home production, BILLU BARBAR and the latest quiz show, KYA AAP PAANCHVI PAAS SE TEZ HAIN.

The ‘Ganga Kinarewala’ connection in BHOOTHNATH!

The ‘Ganga Kinarewala’ connection in BHOOTHNATH!

bhoot.jpg

Link

Bhoothnath cries too much: Raja Sen

Link

Amitabh Bachchan can make faces: fact.

We’ve grown up watching Bachchan do a lot in his own inimitable way, and funny faces — be it as a drunkard, an English-ignorant bumpkin, or a paan-chewing inspector — have been a large part of that repertoire. Therefore, while it is more than a trifle saddening to see him in roles that really demand nothing more than a perfunctory performance — and standard issue face-pulling — the makers of Bhootnath can at least rest assured that they have the best actor for the part.

They don’t have much else, however. Vivek Sharma’s directorial debut starts off ’sweetly’ enough, and once you realise that Bhoothnath is a kids’ film that isn’t even trying to be anything else, the unspectacular first half pretty much works. All is likeable enough right till the third act, where the movie abruptly and unapologetically turns into the kind of handkerchief-friendly melodrama-fest we have come to associate with BR Films of late.

Exclusive pics of MERE BAAP PEHLE AAP

Surefire hit! Looks too damn funny! After the combo of HUNGAMA and HULCHUL! Double whammy for Khanna after RACE!

On why Shiney’s career isn’t quite ’shining’

‘I did Bhool Bhulaiya for a reason’

Shiney Ahuja talks to Sandhya Iyer about why some of his recent films and performances have not met expectations

shineeeee.jpg

Three years past his spell-binding performance in Hazaaron Khwahishein Aisi(HZA), Shiney Ahuja has been in a frustrating search of a role or a film that can match up to the former on any level. Clearly, nothing the actor has done subsequently has come remotely close and Shiney knows it.
“There are two things to consider here. One, am I putting in enough efforts from my side and second, do I realise where I’m going wrong? On both fronts, I’ve been bang on. As an actor, I can only ensure that I’m giving my best. Beyond that, there’s not much in my control. Also, I know when I go wrong as an actor. For example, I’m not very happy with a couple of my scenes in Gangster. I feel I could have done better. But fact is, nothing solely depends on me,” he says.
In any case, he believes that most of his films released so far were personal commitments that he had to honour. “I did Metro for Anurag Basu, who gave me Gangster. Again, I did Kal and Khoya Khoya Chand for Sudhir Mishra -who gave me my first break with HZA. These were films I just had to do.”
Is that why he was so unenthusiastic about promoting Khoya Khoya…? The actor doesn’t deny it. He nods, “I pretty much know the end result of most of my films when I read the script. Sudhir asked me to do the film and I didn’t care about the rest,” he says, adding, “Actually, Bhool Bhulaiya was the only film I chose for myself.”
So are all his commitments fulfilled finally? “I hope so,” he quips.
Talking of Bhool Bhuliaya, the film wasn’t noticed beyond Akshay Kumar and its groovy title number. But Shiney prefers to see things differently. “We do certain things for a certain reason. For me, Bhool Bhulaiya meant wider visibility. The huge reach that films like these bring are important to an actor in terms of his star status. Sure, I would have been disappointed with the film had it not worked but it became a big hit and I was proved right,” he stresses.
Also, it appears as if Shiney isn’t too excited about being recogonised just as an actor. He’s more keen to be a successful mainstream star. Ask him about it and he says, “Actually, from the very beginning, I’ve only done commercial films. Except for a Hazaaron…, all my other movies, including Gangster and Khoya Khoya…have been mainstream ventures. I don’t know why people have assumed that I do niche, hatke films.”
But he agrees that scale matters to him now. “I don’t mind trying something different at all but yes, I would expect the film to reach out to more people.”
Remind him of actors like John Abraham who are supporting newer filmmakers and showing courage to take on risky subjects and Shiney retorts, “Nobody supports anyone here. One goes after what one doesn’t already have. In this case, he’s (John) clearly seeking credibility as an actor. Thankfully, I got it early on with HZA and now I’ve received my share of commercial success with Bhool Bhulaiya,” he says.
The actor’s also a bit tired of being labeled as an intense actor. “I agree most of my roles have been of a thinking man. But there have been nuances even here. In HZA, I play the role of a guy who never expresses himself. Even when he hears that the love of his life is going away, he’s not willing to show his feeling and instead announces that he’s getting married to someone else! On the other hand in Khoya Khoya…, I played a brutally honest man who expresses everything. In fact, he gets into trouble precisely because he speaks his mind all the time.”
But obviously, such layered characters are few and far in between. “The sad truth is that most directors are just followers who don’t want to go beyond the safe image of an actor. It’s only rare directors like Jahnu Barua (with whom I’m doing Har Pal), who are willing to experiment. I’m playing a light character here for a change.”
Shiney’s next is an action packed thriller, Hijack about which he’s pretty excited. “In terms of role, it’s a pretty linear one, but I like how my character behaves. Moreover, I think the film’s director Kunal Shivdasani is awesome,” he says.
Further next would be Sudhir Mishra’s modern version of Devdas, where he will be romancing Lara Dutta and Chitrangada Singh. “As I said, I have a good mix of films for the moment,” he says. Let’s just hope his next few films bring the ‘shine’ back into his career.

NY Times Review of Before the Rains (Santosh Sivan)

After Them the Monsoon: Two Worlds Collide in India

STEPHEN HOLDEN
Published: May 9, 2008

Fatal culture clash, imperialist entitlement, forbidden passion between master and servant: the ingredients of the Indian director Santosh Sivan’s period piece “Before the Rains” may be awfully familiar, but the film lends them the force of tragedy. From the moment Moores (Linus Roache), an arrogant British planter in the southwestern Indian state of Kerala, hands a gun to his loyal manservant T. K. (Rahul Bose), you can be certain that the weapon will be discharged and lives destroyed.

Kuruvi and Sexism in Tamil films

As the name warrants, the movie is insipid. There is hardly anything to say about Vijay. The styling and clothes are new, the dance moves are new, the stunts are new, the story is a new version of the current best selling formula … Thats Vijay reinvented just for his fans. Trisha doesn’t seem to be interested in bagging roles with some scope for performance. She darns her best costumes and does the usual heroine stuff to perfection. But her role is so insignificant that she gets sidelined even in songs.

As expeceted, the forgettable songs have incorrigible music and over the top choreography. The first half had some moments, thanks to Vivek’s impeccable comic timing. Apart, from the intentional comedy from Vivek, the whole movie can be taken as an unintentionally funny entertainer. The improbability of the stunts, the absurdity of the story and the hamminess of the villains all are laughable.

The point that worried me the most was the crystral clear support to male chauvinism with repeated glorification of the word ‘Ambala’ (Male). Bravery and Heroism are projected as attributes specific only to being MALE. Every character including the heroine speaks about how much “male” the hero is. Glorification of the ultimate male hero seems to be the trend. “Ambala Singham” (male lion) represents the hero. Saree represents cowardice and anyone who lacks courage gets adviced to start wearing one.

The trend of presenting the heroiene as the half-saree or saree clad, bashful and docile “Tamil Ponnu” is thankfully not used in this movie. Cause, you see the male audience need ‘glamour’ in the heroiene. So, close up shots of Trisha’s various bodily assets are required at times. At other times, the limelight is only on Vijay. The masculine dance moves, digitally touched kicks and punches and jazzy special effects … all gives you the feel that the movie is democratically meant for men.

Interview:Amitabh Bachchan

MOST OF AISHWARYA’S FILMS HAVE DONE THE OBVIOUS WITH HER – CAPITALIZED ON HER NATURAL ASSETS. ‘SARKAAR RAJ’ DOES NOT PAY ATTENTION TO IT’
Looking at Amitabh Bachchan’s filmography had my mind boggled. It was awesome and awe inspiring. But most films had their histories and chemistries playing out as they took shape. There were many unanswered questions. So I invoked the genie called Genius. ‘Grant my request, let these questions be answered’, I prayed. He did. Midway, the bogeyman called ‘Bhoothnath’ scared me a bit (Bhoothnath was upset with tiresome media), but genial Genius made magic happen and the interview was completed.

SD: Was it for Aishwarya or for Ashutosh that you did the narrative voice over in ‘Jodhaa Akbar? Did you never feel like you wanted to be part of the film? Were you ever invited to be a part of the cast of the film by Ashutosh? What did you experience when you watched the entire film?

AB: I did the commentary because Ashutosh was over for dinner to the house one day and asked me to do it. But yes, the fact that Aishwarya was in the film was a welcome factor in my consent. I was never ever considered for the film, though who would not want to have worked with Ashutosh after seeing his body of work. Many perhaps do not know that he and I go back a while.

He played a character in a film of mine. A gang member in ‘Indrajeet’. We actually did some action scenes together.My reactions to the film after seeing it have been quite elaborately expressed in earlier interviews. But if you have no qualms about me repeating them I shall express them again – grand, powerful, socially significant and ethereal!
 
SD: It’s heard that you wanted ‘Jodhaa Akbar’ to be Aishwarya’s first release after her marriage to Abhishek? Were you in a position to make and obtain
a fulfillment of that request?

No Rally For Sarkaar

Big B and Ram Gopal Varma have decided to call off the ‘mock rally’, which was expected to be held on May 25 at the historic Shivaji Park in Mumbai to promote their upcoming film ‘Sarkar Raj.’

The rally was expected to be addressed by Amitabh and Abhishek Bachchan, who are playing important political characters in this sensitive film. Ram Gopal Varma had even appointed a reputed event management company to organize the rally and had planned to distribute pamphlets and other materials to publicize it like any other political party would have done it.

The buzz doing the rounds in the industry is that Ram Gopal Varma and Big B decided against holding of rally keeping in view the charged political situation of the state. Another point of concern was the security factor, as all the cast members, including Big B, Abhishek and Aishwarya were supposed to be part of the promotional campaign and providing them protection from rampaging fans would not have been an easy task.

It may be recalled that Big B plays the character of a senior politician Nagre in the upcoming ‘Sarkar Raj’, while Abhishek Bachchan essays the role of his son. Aishwarya Rai is playing the character of CEO of a power company, which wants to set up a power company in the state of Maharashtra.

Stardust Scoop of day:SRK wants Negative

Shah Rukh Khan, who is playing the lead character in Karan Johar’s ambitious flick ‘My Name Is Khan’, has demanded the negative rights of the film as a part of his fifty percent share of the profit of the film. The buzz doing the rounds in the industry is that Shah Rukh does not want his remuneration in monetary terms and instead has opted for the half of the total profit of the film, which is going to be huge considering the deadly combination of King Khan and ace director Karan Johar.

Insiders say that as Karan Johar’s ‘My Name Is Khan’ is a serous film and will be different from the usual lavish products associated with Dharma Production, it is not going to cost more than Rs 15 crore. But given the standing of Shah Rukh Khan in the market, it is likely to be sold for around Rs 80 crore, the price that SRK’s last offering ‘Om Shanti Om’ fetched.

That would mean a cool profit of around Rs 60 crore and it is when box office collections are yet to be added. Given the huge craze for Shah Rukh Khan and Karan Johar’s films in the US and the UK, the amount from box office too will swell the coffers of the profit, benefiting SRK immensely in the bargain.

Karan Johar has planned the entire film to be shot in Los Angeles and New York with Shah Rukh Khan. Shah Rukh plays an activist in the film who gets abducted by some terrorists. This abduction and captivity changes the entire outlook of Shah Rukh on life and he becomes a changed man. Shah Rukh is thrilled with the serious idea of the story and waiting to do the film as soon as possible.

Shah Rukh recites Tagore before Twenty20 audience

Link

Kolkata, May 8 (IANS) A true entertainer that he is, Bollywood Superstar and Kolkata Knight Riders (KKR) owner Shah Rukh Khan enthralled the crowd here reciting Nobel laureate Rabindranath Tagore’s poems when the team’s match against Bangalore Royal Challengers was delayed Thursday due to rains.”Tagore has poems for every mood. So, to boost up the KKR morale and their 65,000 supporters at the gallery, I recited ‘Where the mind is without fear’ from the translated version of Geetanjali (collection of Tagore’s poems),” Shah Rukh Khan told IANS.

The occasion was right too: Thursday was Tagore’s birth anniversary.

Earlier, the first thing Shah Rukh said after reaching the city airport was: “I am a blind fan of Tagore! Though I don’t know Bengali, I have read almost all of his translated poems.”